Difference between revisions of "Leaving"
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==Description== | ==Description== | ||
Rather than employing some kind of overt theatrical device to end a scene, the leave edit simply means exiting the stage to indicate that a scene is over. | Rather than employing some kind of overt theatrical device to end a scene, the leave edit simply means exiting the stage to indicate that a scene is over. | ||
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| + | ==Monoscene== | ||
| + | The leave edit is perhaps utilized most in [[Monoscenes]], a [[longform form]] that prevents improvisers from leaving a given place and time. In order to have more than one "scene" within this larger scene, improvisers will often use characters' entrances and exits to divide up the show. | ||
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| + | ==Macroscene== | ||
| + | The [[Macroscene]] hinges upon the leave edit, as it is essentially a mobile monoscene. The show physically follows exiting characters. | ||
==See also== | ==See also== | ||
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*[[:Category:Editing Techniques]] | *[[:Category:Editing Techniques]] | ||
*[[Sweep Edit]] | *[[Sweep Edit]] | ||
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| + | ==External links== | ||
| + | *[http://jillbernard.blogspot.com/2005/12/editing-editing-is-very-cool-way-of.html An explanation] of editing techniques by [[Jill Bernard]]. | ||
[[Category:Editing Techniques]] | [[Category:Editing Techniques]] | ||
Latest revision as of 23:54, 23 February 2019
The leave edit is a rarely-used improvisational edit.
Description
Rather than employing some kind of overt theatrical device to end a scene, the leave edit simply means exiting the stage to indicate that a scene is over.
Monoscene
The leave edit is perhaps utilized most in Monoscenes, a longform form that prevents improvisers from leaving a given place and time. In order to have more than one "scene" within this larger scene, improvisers will often use characters' entrances and exits to divide up the show.
Macroscene
The Macroscene hinges upon the leave edit, as it is essentially a mobile monoscene. The show physically follows exiting characters.
See also
External links
- An explanation of editing techniques by Jill Bernard.
